Broadcast from Nowhere

Yeon Ko recorded it for seven nights. On the eighth recording she noticed: the second verse described her bedroom ceiling in precise detail.

She triangulated the signal to a decommissioned fishing trawler anchored three kilometres offshore, on a route no maps had updated since 1991.

She hired a small boat at dawn. The trawler was rusted to a beautiful amber, its antenna array pointing not at the sky but at the seabed.

Below deck: a reel-to-reel still running, feeding audio from a hydrophone beneath the hull. The ocean itself was the singer.